At first glance, the sculpture immortalizes an artist and his instrument in the midst of a musical performance, but a closer observation reveals the hidden layers of meaning within the composition. The musician, a Baroque male figure, leans over his instrument with passion and possessiveness, his eager movements breathing life into it.

However, this instrument is not merely a tool but also a participant in the metamorphosis. Gracefully arching back, it molds to the musician with devout surrender, giving itself over to the moment, transforming into the one who plays it. In a kneeling pose, the female figure embodies submission, her desire and excitement subtly palpable as the artist’s hand touches her body. This intense duality—the fine yet powerful tension between the active and passive roles—reflects the depths of the intertwining of music and physical intimacy.

The artist’s personal experiences are deeply embedded in this creation. His childhood cello playing, ambivalent feelings towards the instrument and music-making, and meticulous observation of interactions among people all contributed to the crafting of this sculpture. On this level, "Metamorphosis" is not merely a musical scene but a lifelong study on the complex dynamics of human relationships.

The subtle sensual hints and the dynamic interaction between the two figures create a harmony in which the musician and the instrument, the man and the woman, the body and the soul, all transform and unite. This metamorphosis speaks not only of the intertwining of music and intimacy but also of the marvel of dissolving into each other and the wonder of creation together.